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Long Man: A novel – Deckle Edge

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Literature
Sunday, April 28, 2013

Long Man: A novel – Deckle Edge

Author: Visit Amazon's Amy Greene Page | Language: English | ISBN: 0307593436 | Format: PDF

Long Man: A novel – Deckle Edge Description

From Booklist

*Starred Review* Greene’s second novel revisits blue-collar Appalachia with the same haunting lyricism she brought to her magnificent first novel, Bloodroot (2010). In the summer of 1936, the Tennessee Valley Authority has determined to dam the river Long Man and flood the town of Yuneetah in eastern Tennessee in the name of progress. Just one day remains before the town will be flooded, and most of the citizens have been evacuated. But there are a handful of people who refuse to leave the land that has been in their familiesfor generations. Among them is Annie Clyde Dodson, who longs for her three-year-old daughter, Gracie, to grow up on her beautiful mountaintop farm. As a storm starts to rage, Gracie goes missing, and the sheriff, as well as Annie’s few remaining neighbors, must cover miles of wild country in search of the toddler. In addition, the mysterious Amos, an orphan who grew up in Yuneetah, has returned for one final act of vengeance. Greene, with searing eloquence, seems to channel the frustrations of generations of rural poor in this stark indictment of a soulless government hell-bent on destroying a long-standing community. Her stunning insight into a proud and insular people is voiced with cold clarity and burning anger. --Joanne Wilkinson

Review

“Taut, shimmering, dramatic . . . A realistic, historically accurate portrait of a doomed community during the summer of 1936—a story about a land grab of epic proportions [and] a handful of characters facing the end of their 150-year-old way of life . . . But the real story here is the clash between tradition and the sweeping changes that promise a better life. The old ways, Greene tells us, can be both comfort and trap, curse or blessing, and she looks at both sides with sensitivity and understanding . . . In language as unadorned and lovely as a country quilt, Greene invites the reader deeply into the seclusion of the valley and the mountains above. A remarkable love letter to a forgotten time and place . . . Luminous.” —Gina Webb, The Atlanta Journal-Constitution
 
“This story of love, loyalty, and often-complex relationships had us hooked from the first page to the last.” —Patricia Shannon, Southern Living

“Haunting . . . Long Man revisits blue-collar Appalachia with the same lyricism Greene brought to her magnificent first novel, Bloodroot . . . With searing eloquence, she seems to channel the frustrations of generations of rural poor in this stark indictment of a government hell-bent on destroying a long-standing community. Her stunning insight into a proud and insular people is voiced with cold clarity and burning anger.” —Joanne Wilkinson, Booklist (starred review)

“Exquisite . . . Greene’s prose is as mesmerizing as the story she weaves. Readers will never forget this vividly drawn landscape, the journeys of those who hold tight to this remarkable place in America even as it disappears before their eyes. Long Man is a novel about redemption and resurrection and love in all its forms. Its breathtaking suspense and images will haunt me forever.” —Jill McCorkle, author of Life After Life
 
“Harrowing, riveting . . . The Tennessee Valley Authority was designed to help modernize the state during the Great Depression, but [it] only spells destruction for the town of Yuneetah. Greene’s excellent second novel focuses on the holdouts who refuse to leave, chief among them a husband and wife [whose] 3-year-old daughter goes missing. The lead suspect in her disappearance is a one-eyed Yuneetah native who’s spent much of his life as a drifter connected to violent protests against [the] government. Greene’s [prose] is sinuous and tonally mythic; Gracie’s disappearance, alongside Amos’ cat-and-mouse game with authorities, gives the novel a welcome propulsion. Long Man fully inhabits the ironies inherent in destroying a place in the name of progress . . . A smart and moody historical novel that evokes the best widescreen Southern literature.” —Kirkus (starred review)

“Unforgettable. Like a classical myth, Greene’s second novel, set in the summer of 1936, transforms a period of cataclysmic history into a gorgeous, tragic tale filled with heroes and heroines . . . Greene’s enormous talent animates the voices and landscape of East Tennessee so vividly, and creates such exquisite tension, that the reader is left devastated.” —Publishers Weekly (starred review)
 
“Equal parts mystery, family saga and backwoods romance, Long Man captures the collision of hardscrabble folk with the unstoppable modern world. Amy Greene’s novel of the Tennessee Valley Authority has a little bit of everything, and is always rich and absorbing.” —Stewart O’Nan, author of A Prayer for the Dying and Emily, Alone

“A gem. Long Man is so palpably real that I feel I’ve spent the last few days actually living in Greene’s corner of Depression-era Tennessee. Only a handful of writers can bring a place to life with this much texture, and bring characters to life in such a visceral manner. These people and this place will live on in my imagination for the rest of my life. Greene is a special writer, and Long Man is a special book—a beautiful piece of work. How I long for more novels like hers.” —Steve Yarbrough, author of Prisoners of War and The Realm of Last Chances
See all Editorial Reviews
  • Product Details
  • Table of Contents
  • Reviews
  • Hardcover: 288 pages
  • Publisher: Knopf; First Edition edition (February 25, 2014)
  • Language: English
  • ISBN-10: 0307593436
  • ISBN-13: 978-0307593436
  • Product Dimensions: 9.1 x 6.6 x 1.3 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
Here in the US, we talk a lot about the notion of "the great American novel" -- what is it exactly, which books might we consider as such? One particular kind of great American novel sets vivid and compelling characters against difficult and perhaps impossible circumstances; John Steinbeck's GRAPES OF WRATH and the Depression, Norman Mailer's THE NAKED AND THE DEAD and World War 2, Karl Marlantes' MATTERHORN and Vietnam, Paul Harding's TINKERS and mortality and his ENON and the tragic death of a child.

Amy Greene's LONG MAN is such a novel. Set in the middle 1930s in the mountains of Greene's native eastern Tennessee, the book centers on the residents near a river that the US Government has dammed in order to bring electricity to the largely poor population through the Tennessee Valley Authority. The flooding that results will push them out of their homes and off their land -- homes that many of them have lived in for their entire lives, land that has been in some of the characters' families for many generations.

As the novel opens, most of the families have sold off their property eagerly, wanting to get out from under the burden of farming the bad soil in the mountains. Some have moved to other farms in adjacent areas and some have migrated north, to work in factories.

The novel centers on one family who has not yet departed: James Dodson, his wife Annie Clyde Dodson, and their three-year-old daughter, Grace.
The short, evocative novel takes place in rural Tennessee during the height of the Great Depression, the summer of 1936. President Roosevelt's Tennessee Valley Authority is removing families from their homes and farms in around the small town of Yuneetah in order to build a dam on the river dubbed by Native Americans as Long Man. But at least one resident — a nails-tough, strong-willed woman named Annie Clyde — isn't taking the relocation lying down. Even when her husband James secures a cushy factory job in Detroit, Annie Clyde resists. And as they argue, their 3-year-old daughter Gracie suddenly disappears in the midst of a nasty storm.

As the rest of the novel unfolds, Greene gives us a variety of wonderful characters complete with intricate backs stories— characters who abide by a simple philosophy: "If a person didn't come to depend on material things, it wouldn't hurt to lose them." Will the few remaining townspeople band together to find Gracie? Will their shared pasts interfere with their increasingly fractured futures? And what's the deal with the mysterious drifter named Amos whose connection to the town's sheriff and Annie Clyde's aunt Silver cause complications?

One of my favorite parts of this novel is how it treats the idea of progress. It's not a political novel at all but the theme of how progress (in this case electricity and emerging from the Depression) has its definite collateral damage is as relevant today as it was in 1936 (or 1636 or 836 for that matter). "Time was unmerciful," a character ruminates at one point, and isn't she right?

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